Lewis Goodwin

Lewis Goodwin
He/Him
Creative Producer

Looking back, my career journey has been shaped more by hands-on experience than traditional pathways. I’d define it as unconventional, ambitious—and even a little risky!

Over the past 15 years, I’ve facilitated creative opportunities for artists, primarily from a non-commercial perspective. This has ranged from illegal parties and underground festivals to warehouse communities, DIY touring and artist-run initiatives.

After graduating with a Bachelor of Environmental Management in 2013, I felt lost regarding my career direction. Though passionate about music and art, I struggled to see it as a viable path. In 2015, I enrolled in a Masters of Arts Management but dropped out to produce an ambitious Australian tour for three consecutive international acts. This unpaid project became a life-changing crash course in project management.

When Covid struck, I turned my broad skill set to commercial application, co-founding boutique event company Neat Collective from 2020 to 2023.

In 2023, I was thrilled to start my journey as Creative Producer of Immersive Light Adelaide (ILA), applying a fresh approach to arts curation and event production at one of the most unique creative venues in Australia.

It took me a long time to recognise the value of my experience in an employment context, as there was little career encouragement. That’s why I believe guidance is so important—especially for those outside traditional pathways—and I’m honoured to be included in this publication.

My advice? Navigating a career in the arts is tough. Balancing education with real-world experience is key. Volunteer and contribute wherever you can. Invest in your experience, creative portfolio, relationships, and community. The arts are built on connection—so follow your heart, communicate clearly, and seize every opportunity.

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This article is part of the Festival & Event Industry Career Profiles series, a collection highlighting the diverse stories of Adelaide’s finest festival professionals. 

Photography by: Jack Fenby